Finn Andrews of The Veils announces an extensive New Zealand tour in March/ April 2019, to celebrate the imminent release of his debut solo album One Piece At A Time.
Andrews will be performing all shows live on piano, and for most is accompanied by live band and strings players.
The tour includes festival performances at WOMAD and Wanaka's Festival of Colour, as well as seven full band shows, and four solo performances. reb fountain joins as tour support on all full band dates.
March 15th & 16th - WOMAD, New Plymouth
March 21st - Haumoana Hall, Hawkes Bay
March 22nd - Old St. Paul's, Wellington
March 23rd - St Peter's Hall, Paekakariki
March 30th - Town Hall Concert Chamber, Auckland
April 4th - Hannover Hall, Dunedin
April 5th - The Piano, Christchurch
April 7th - Sherwood, Queenstown
April 11th - Secret Show, Wairarapa (solo)
April 12th - The Play House, Nelson (solo)
April 13th - The Plant, Blenheim (solo)
April 14th - The Mussel Inn, Onekaka (solo)
Since signing a record deal at the tender age of 16, Finn Andrews and his band The Veils have released 5 albums together, appeared in David Lynch's reboot of Twin Peaks, as well as on soundtracks by luminary film directors Tim Burton and Paolo Sorrentino, and was also recently been commissioned by the Belgian government to write a 20-minute orchestral piece to commemorate the antipodean dead of World War I.
It was while writing 2016’s Total Depravity that the New Zealand-raised musician realized a different streak was beginning to emerge. Fueled by the end of a relationship, Andrews took some time out from London and from The Veils, and returned to New Zealand to begin work on his first solo album, One Piece At A Time.
A songwriter’s body of work is often referred to as a songbook. But Andrews possesses quite literally that—a bound collection of pages filled with lyrics, sketches, and other ideas that he carries with him.
Andrews galvanized a small group of musicians in Auckland and quickly got to work deciphering the pages. The sheer quantity of material was daunting at first, and one of the new outfit’s first tasks was to spend a few weeks locked away in a room, playing each song through to get a sense of how they felt.
The resulting album is one of Andrews’ most profound and intimate pieces of work. Recorded entirely live at The Lab in Auckland, and engineered and co-produced by Tom Healy (Tiny Ruins), the band includes Andrews on vocals, piano, and guitar; Cass Basil on electric and upright bass; Alex Freer on drums; Healy on guitar; Reb Fountain and Nina Siegler on backing vocals; with sprawling string arrangements by Victoria Kelly.
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